Las películas están listadas en orden alfabético en base a su título original.
Si no se indica lo contrario el tema asociado a cada película se corresponde con el tema principal de la misma en su versión original.
La mayoría de los temas musicales y canciones están extraídos de fuentes de sonido originales editadas en LP o CD.
Los Siete Magníficos (1960)
(The Magnificent Seven)
ELMER BERNSTEIN
Original Main Title
Main Theme performed by The City Of Prague Philharmonic Orchestra
Esposa Por Catálogo (1964)
(Mail Order Bride)
GEORGE BASSMAN
Mayor Dundee (1965)
(Major Dundee)
DANIELE AMFITHEATROF
Un Hombre Llamado Caballo (1970)
(A Man Called Horse)
LEONARD ROSENMAN
El Hombre De Laramie (1955)
(The Man from Laramie)
The Man From Laramie performed by Jimmy Young
(Lester Lee / Ned Washington)
The man from Laramie
He was a man with a peaceful turn of mind
He was kind of sociable and friendly
Friendly as any man could be
But you never saw a man out-draw
The man from Laramie
The man from Laramie
He was a man with a warm and gentle heart
But when they'd start the arguing and fightin'
Frightenin' and lightning fast was he
There was no coyote who could outshoot
The man from Laramie
He had a flair for ladies
The ladies loved his air of mystery
The west will never see
A man with so many notches on his gun
Everyone admired the fearless stranger
Danger was this man's specialty
So they never bossed or double crossed
The man from Laramie
He had a flair for ladies
Now the ladies loved his air of mystery
The Man From Laramie performed by Al Martino
El Hombre Del Oeste (1958)
(Man Of The West)
The Man Of The West performed by Julie London
(Bobbie Troup)
Man of the west, goin' far away,
He'll be on my mind till my dyin' day.
Man of the est, almost out of sight,
Never knew a man I loved so right!
Nobody looked at me so kind,
Nobody treated me so good.
I knew I never could have him,
But my heart misunderstood.
Man of the west, goin' far away,
He'll be on my mind till my dyin' day.
Man of the west, nothin' more to tell,
Never comin' back, but keep him well,
Never comin' back, but keep him well,
Never comin' back, but keep him well...
El Hombre Que Amó A Cat Dancing (1973)
(The Man Who Loved Cat Dancing)
JOHN WILLIAMS
Original Main Title
Rejected Main Title by Michel Legrand
Dream Away performed by Frank Sinatra
(John Williams / Paul Williams)
Dream away, child; let your dreams run wild
Or a lifetime of worries might claim you.
Dream away, child; let your dreams run wild
Or the years and the tears shed might claim you.
For the last time we have tasted
Love's sweet tears by the fire's glow.
If our hearts are strong there'll be
No long good-byes when it's time to go.
But the strongest torch is sometimes broken
As the deepest vows aren't always spoken,
And the greatest wounds, we hide inside ourselves
Where they never show.
Dream away, child, let your dreams run wild.
Or a lifetime of worries might claim you.
Dream away, child; let your dreams run wild
Or the years and the tears shed might claim you.
When the Winter weds the Northern Wind
The child they bear is snow.
And the branches bow like worried bridesmaids
But the trees will grow.
Sun and Earth in time will come together,
God will give us back our summer weather,
But the mem'ries of that first sweet
Taste of love pass away so slow.
Dream away, child; let your dreams run wild
Or a lifetime of worries might claim you.
Dream away, child; let your dreams run wild
Or the years and the tears shed might claim you.
When there's no room left to live inside ourselves
Do we dream away.
El Hombre Que Mató A Liberty Valance (1962)
(The Man Who Shot Liberty Valance)
CYRIL J. MOCKRIDGE
Original Main Title
The Man Who Shot Liberty Valance performed by The Cincinnati Pops Orchestra conducted by Erich Kunzel
The Man Who Shot Liberty Valance performed by Gene Pitney
(Hal David / Burt Bacharach)
When Liberty Valance rode to town
The women folk would hide, they'd hide
When Liberty Valance walked around
The men would step aside
Because the point of a gun
Was the only law that Liberty understood
When it came to shootin' straight and fast
He was mighty good
From out of the East a stranger came
A law book in his hand, a man
The kind of a man the West would need
To tame a troubled land
'Cause the point of a gun
Was the only law that Liberty understood
When it came to shootin' straight and fast
He was mighty good
Many a man would face his gun and many a man would fall
The man who shot Liberty Valance
He shot Liberty Valance
He was the bravest of them all
The love of a girl can make a man
Stay on when he should go, stay on
Just trying to build a peaceful life
Where love is free to grow
But the point of a gun
Was the only law that Liberty understood
When the final showdown came at last
A law book was no good
Alone and afraid she prayed that he'd
Return that fateful night, ah, that night
When nothing she said could keep her man
From going out to fight
From the moment a girl gets to be full grown
The very first thing she learns
When two men go out to face each other
Only one returns
Everyone heard two shots ring out
One shot made Liberty fall
The man who shot Liberty Valance
He shot Liberty Valance
He was the bravest of them all
The man who shot Liberty Valance
He shot Liberty Valance
He was the bravest of them all
(Man Without A Star)
HANS J. SALTER
Original Main Title
And the Moon Grew Brighter and Brighter performed by Kirk Douglas with The Mellomen
(Jimmy Kennedy / Lou Singer)
I was under a prairie moon
Whistlin' a lonesome tune
When my rovin' eye came to sight her
And my heart growed lighter and lighter
And the Moon grew brighter and brighter
When I told her that she was swell
She said, "You're swell as well"
I just don't know who was politer
Then my arms just seemed to invite her
And the Moon grew brighter and brighter
(Ee-da-lie-dee-loh-dee-oh)
(Eee-da-lie-dee-ay-dee-ay)
So I rounded up some kisses to delight her
And she roped me tighter and tighter
And the Moon grew brighter and brighter
(Talked about her eyes of blue)
(Talked about a preacher too)
'Twas the preacher talk that seemed to dynamite her
She said he could tie the knot that can't be tighter
And the Moon grew brighter and brighter
(Whistling)
And my heart growed lighter and lighter
And the Moon grew brighter and brighter
(Whistling)
And my arms just seemed to invite her
And the Moon grew brighter and brighter
(Ee-da-lie-dee-loh-dee-loh)
(Eee-da-lie-dee-ay-dee-ay)
So I rounded up some kisses to delight her
And she roped me tighter and tighter
And the Moon grew brighter and brighter
Talked about her eyes of blue
Talked about a preacher too
('Twas the preacher talk that seemed to dynamite her)
She said he could tie the knot that can't be tighter
And the Moon grew brighter and brighter
And brighter
The Man Without A Star performed by Frankie Laine
(Arnold Hughes / Frederick Herbert)
Who knows, who knows
Who knows whichaway the right way goes
The night is dark, the way is far
For a man without a star
Who knows, who knows
Who knows which way the whirlwind blows
Or where the trail of tomorrow goes
For a man without a star
There's just no sense to build and fence
Not if you like to wander
Each hill I see is callin' me
Go yonder, yonder, yonder
Who knows, who knows
Was I right, was I wrong, the way I chose
The night is dark, the way is far
For a man without a star
The night is dark and the way is far
For a man without a star
For a man without a star
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